107 bars of 4/4 at a walking 108 BPM, 3:58 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on how much of it falls off the beat.
toms through bars 1-2, hi-hat through bars 3-88, snare through bars 89-90, hi-hat through bars 91-98, toms through bars 99-102 and snare through bars 103-107.
The beat the song is built on is one bar, played through bars 3-8, 11 and 13-15, and 11 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1.....2.....3.....4.....
CC |x-----------------------|
HH |--x-x-x-x-x-x-x-x-x-x-x-|
SD |------x-----------x-----|
BD |x-----------x-----------|7 fills to learn, played 12 times: bars 1, 2, 9, 12, 35, 38 and 6 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 56 out of 100; the rest of the number is everything around it.
107 bars, about 3:58 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 1, 2, 9, 12, 35, 38 and 6 more.