89 bars of 4/4 at a walking 87 BPM, 4:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 3-67, toms through bars 68-71, snare through bars 72-86 and silence through bars 87-89.
The beat the song is built on is one bar, played through bars 4, 7 and 9, and 24 more places -- 41.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-x-----x-x-----|
HF |g-g-g-g-g-g-g-g-|5 fills to learn, played 9 times: bars 18, 28, 44, 68, 69, 70 and 3 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
89 bars, about 4:06 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 18, 28, 44, 68, 69, 70 and 3 more.