143 bars at 165 BPM -- fast, and 3:28 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, snare through bars 6-9, hi-hat through bars 10-15, snare through bars 16-17, kick and crashes through bars 18-23 and hi-hat through bars 24-25, and 22 more changes after that.
The beat the song is built on is one bar, played through bars 9, 15 and 17, and 11 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x-x-x---x-|6 fills to learn, played 10 times: bars 23, 31, 39, 40, 95, 105 and 4 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
143 bars, about 3:28 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 10 times: bars 23, 31, 39, 40, 95, 105 and 4 more.