85 bars of 4/4 at 110 BPM, about 3:05 of playing, on crash, ride, snare, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-15, ride through bars 16-20, silence through bars 21-22, toms through bars 23-35, ride through bars 36-40 and toms through bars 41-44, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 13, 15 and 18, and 12 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x-x---x---x-----|7 fills to learn, played 11 times: bars 32, 39, 41, 42, 43, 44 and 5 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
85 bars, about 3:05 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 26 minutes each.
crash, ride, snare, floor tom and kick. Nothing in the part asks for anything else.
7 fills to learn, played 11 times: bars 32, 39, 41, 42, 43, 44 and 5 more.