74 bars of 3/4 -- not four -- at 90 BPM, 2:29 of playing on crash, ride, hi-hat, snare, kick and hi-hat foot.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, hi-hat through bars 6-11, ride through bars 12-14, silence through bars 15-16, hi-hat through bars 17-43 and ride through bars 44-46, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 6-11, 17-43 and 54-62, and 1 more place -- 71% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1e+a2e+a3e+a
HH |x-x-x-x-x-x-|
SD |------x-----|
BD |x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
27 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
74 bars, about 2:29 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.