82 bars of 3/4 -- not four -- at 78 BPM, 3:10 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-54, silence through bars 55-58 and hi-hat through bars 59-82.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-17, and 14 more places -- 66.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a
CC |x-----------|
HH |--x-x-x-x-x-|
SD |------x-----|
BD |x---------x-|7 fills to learn, played 12 times: bars 22, 26, 38, 46, 53, 59 and 6 more.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
82 bars, about 3:10 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 22, 26, 38, 46, 53, 59 and 6 more.