107 bars, 5:58, at 70 BPM: slow enough that every note is exposed. Ride, snare, high tom and mid tom and nothing else.
16 out of 100: straightforward, and the one thing to watch is how much of it falls off the beat.
silence through bars 1-3, ride through bars 4-52, silence through bars 53-62 and ride through bars 63-107.
The beat the song is built on is one bar, played through bars 4-15, 17-21 and 23-38, and 3 more places -- 95.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
4
1e+a2e+a3e+a4e+a
RD |x-xx----x-xx----|
SD |----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
16 out of 100: straightforward, and the one thing to watch is how much of it falls off the beat. The beat itself is 5 out of 100; the rest of the number is everything around it.
107 bars, about 5:58 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 20 minutes each.
ride, snare, high tom and mid tom. Nothing in the part asks for anything else.