112 bars of 4/4 at 120 BPM, about 3:43 of playing, on crash, hi-hat, snare, mid tom and kick.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-11, hi-hat through bars 12-15, snare through bars 16-30, hi-hat through bars 31-40 and snare through bars 41-50, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 16-20, 22 and 24, and 17 more places -- 40.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |x---x---x---x---|
BD |--x---x---x---x-|6 fills to learn, played 16 times: bars 12, 27, 29, 36, 37, 38 and 10 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
112 bars, about 3:43 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 16 times: bars 12, 27, 29, 36, 37, 38 and 10 more.