94 bars of 4/4 at 121 BPM, about 3:06 of playing, on crash, ride, snare, mid tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 2-3, silence through bars 4-11 and ride through bars 12-94.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 34 more places -- 50% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x---x---x--x|
BD |x-x---x---x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
94 bars, about 3:06 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 24 minutes each.
crash, ride, snare, mid tom and kick. Nothing in the part asks for anything else.