93 bars of 4/4 at 112 BPM, about 3:19 of playing, on crash, hi-hat, snare, floor tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-69, silence through bars 70-72, kick and crashes through bars 73-74, hi-hat through bars 75-91 and kick and crashes through bars 92-93.
The beat the song is built on is a 2-bar phrase, played through bars 14-20, 22-28 and 30-34, and 11 more places -- 55.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
FT |x---------------|----------------|
BD |x------xx-x---x-|x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
93 bars, about 3:19 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.