116 bars of 4/4 at 128 BPM, about 3:39 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-3, ride through bars 4-11, hi-hat through bars 12-27, ride through bars 28-35, hi-hat through bars 36-51 and ride through bars 52-67, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 4-10, 28-34 and 52-58, and 7 more places -- 46.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
4 5
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
RD |----x---x---x---|x---x---x---x---|
SD |----x-------x---|----x-------x---|
BD |x-------x-x---x-|x-------x-x-----|7 fills to learn, played 13 times: bars 11, 19, 35, 43, 51, 59 and 7 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
116 bars, about 3:39 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 11, 19, 35, 43, 51, 59 and 7 more.