93 bars of 4/4 at a walking 99 BPM, 3:45 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
19 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-8, snare through bars 9-22, silence through bars 23-28, snare through bars 29-56, silence through bars 57-60 and snare through bars 61-93.
The beat the song is built on is one bar, played through bars 17-22, 44-55 and 64-77, and 1 more place -- 48.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-x---x-x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
99 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
19 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 8 out of 100; the rest of the number is everything around it.
93 bars, about 3:45 at the written tempo. The course breaks it into 14 exercises over 3 sittings, about 30 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.