86 bars, 5:28, at 63 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
67 out of 100: demanding, mostly on how much of it falls off the beat.
toms through bar 1, hi-hat through bars 2-41, ride through bars 42-83 and toms through bars 84-86.
The beat the song is built on is one bar, played through bars 50-52, 54-56 and 58, and 7 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
52
1...............2...............3...............4...............
CC |x---------------------------------------------------------------|
RD |----x---x---x---x---x---x---x---x---x---x---x---x---x---x---x---|
SD |----------------x-------------------------------x---------------|
BD |x-------------------------------x-------------------------------|9 fills to learn, played 13 times: bars 1, 25, 41, 49, 57, 61 and 7 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 48 out of 100; the rest of the number is everything around it.
86 bars, about 5:28 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 1, 25, 41, 49, 57, 61 and 7 more.