275 bars of 4/4 at 110 BPM, about 10:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-5, hi-hat through bars 6-25, ride through bars 26-28, hi-hat through bars 29-49, ride through bars 50-52 and hi-hat through bars 53-70, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 26-27, 50-51 and 72, and 12 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |-x--xx-x-x--xx-x|
BD |x-x-------xx----|13 fills to learn, played 25 times: bars 5, 20, 21, 28, 29, 33 and 19 more.
It cuts the song into 79 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 54 out of 100; the rest of the number is everything around it.
275 bars, about 10:00 at the written tempo. The course breaks it into 79 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 25 times: bars 5, 20, 21, 28, 29, 33 and 19 more.