179 bars of 4/4 at 110 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-20, snare through bars 21-24, hi-hat through bars 25-43, snare through bars 44-52 and hi-hat through bars 53-73, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 45-51 and 75-81, and 7 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------X-----------X-----|
BD |x---x---x-x-x---x---x-x-|8 fills to learn, played 16 times: bars 16, 24, 44, 52, 74, 82 and 10 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
179 bars, about 6:31 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 16 times: bars 16, 24, 44, 52, 74, 82 and 10 more.