137 bars of 4/4 at 110 BPM, about 4:59 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-24, snare through bars 25-28, hi-hat through bars 29-47, snare through bars 48-56 and hi-hat through bars 57-77, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 49-55 and 79-85, and 4 more places -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
SD |------x-----------x-----|
BD |x---x---x-x-x---x---x-x-|4 fills to learn, played 9 times: bars 16, 48, 78, 86, 94, 102 and 3 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
137 bars, about 4:59 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 16, 48, 78, 86, 94, 102 and 3 more.