250 bars at 209 BPM -- fast, and 4:47 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on how many notes a second it asks for.
hi-hat through bars 2-32, snare through bars 33-42, hi-hat through bars 43-47, snare through bars 48-50, hi-hat through bars 51-61 and snare through bars 62-63, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 41, 48 and 50-62, and 6 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
51
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |xxxxxxxxxxxxxxxx|21 fills to learn, played 54 times: bars 37, 39, 45, 47, 49, 63 and 48 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
209 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 60 out of 100; the rest of the number is everything around it.
250 bars, about 4:47 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 54 times: bars 37, 39, 45, 47, 49, 63 and 48 more.