139 bars at 200 BPM -- fast, and 2:47 of it without a break -- on crash, hi-hat, snare, mid tom and kick.
65 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 1-3, snare through bars 4-6, silence through bars 7-8, hi-hat through bars 9-32, toms through bars 33-34 and hi-hat through bars 35-40, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 19-24, 60 and 64, and 11 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
92
1e+a2e+a3e+a4e+a
CC |x---x-------x---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|11 fills to learn, played 25 times: bars 2, 14, 18, 25, 26, 30 and 19 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
65 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 48 out of 100; the rest of the number is everything around it.
139 bars, about 2:47 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
11 fills to learn, played 25 times: bars 2, 14, 18, 25, 26, 30 and 19 more.