93 bars of 4/4 at 140 BPM, about 2:39 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-12, silence through bars 13-21, snare through bars 22-24, hi-hat through bars 25-49 and silence through bars 50-56, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 7 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1e+a2e+a3e+a4e+a
HH |x---x---x---x-x-|
SD |--------x-------|
BD |x---x-----------|3 fills to learn, played 5 times: bars 40, 63, 64, 88 and 92.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
93 bars, about 2:39 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 40, 63, 64, 88 and 92.