74 bars of 3/4 -- not four -- at 78 BPM, 2:51 of playing on crash, hi-hat, snare, mid tom, floor tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 1-11, 13-37 and 39-41, and 6 more places -- 79.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a
HH |x-x-x-x-x-o-|
SD |------x-----|
BD |x---x-------|5 fills to learn, played 5 times: bars 46, 48, 50, 52 and 74.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
74 bars, about 2:51 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 46, 48, 50, 52 and 74.