127 bars of 4/4 at 114 BPM, about 4:27 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, hi-hat through bars 4-8, silence through bars 9-23, hi-hat through bars 24-33, snare through bars 34-35 and toms through bars 36-37, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 35, 39 and 43, and 11 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-x---x-x-x-|9 fills to learn, played 13 times: bars 3, 24, 28, 42, 55, 56 and 7 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
127 bars, about 4:27 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 3, 24, 28, 42, 55, 56 and 7 more.