104 bars of 4/4 at a walking 100 BPM, 4:08 of playing, on crash, snare, high tom, mid tom, kick and hi-hat foot.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bar 1, silence through bars 2-15, snare through bars 16-27, kick and crashes through bars 28-31, snare through bars 32-55 and kick and crashes through bars 56-63, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 16-19, 32-47 and 64-75, and 1 more place -- 50.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
32
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x--x----x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
104 bars, about 4:08 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 26 minutes each.
crash, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.