105 bars of 4/4 at 130 BPM, about 3:14 of playing, on hi-hat, snare, mid tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-16, toms through bars 17-24, hi-hat through bars 25-40, silence through bars 41-65, hi-hat through bars 66-97 and kick and crashes through bars 98-105.
The beat the song is built on is one bar, played through bars 1-7, 9-23 and 98-105 -- 38.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
105 bars, about 3:14 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 24 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.