72 bars of 3/4 -- not four -- at 105 BPM, 2:15 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-20, silence through bars 21-25, hi-hat through bars 26-49, silence through bars 50-57 and hi-hat through bars 58-72.
The beat the song is built on is a 2-bar phrase, played through bars 26-40, 42 and 46 -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
26 27
1.....2.....3.....4..... 1.....2.....3.....
CC |x-----------------------|------------------|
HH |------x-----x-----------|x-----x-----x-----|
SD |------------r-----------|------------r-----|
BD |x-----------------------|x---------x-------|5 fills to learn, played 9 times: bars 5, 13, 17, 19, 41, 57 and 3 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
72 bars, about 2:15 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 5, 13, 17, 19, 41, 57 and 3 more.