112 bars of 4/4 at 114 BPM, about 3:56 of playing, on crash, hi-hat, snare, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-14, toms through bars 15-16, hi-hat through bars 17-46, toms through bars 47-48, hi-hat through bars 49-64 and kick and crashes through bars 65-72, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-31, 33-46 and 49-64, and 3 more places -- 80.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
18
1e+a2e+a3e+a4e+a
HH |x-g-x-g-x-g-x-g-|
SD |----x-------x---|
BD |x-----x---x-----|2 fills to learn, played 5 times: bars 15, 16, 47, 48 and 80.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
112 bars, about 3:56 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 15, 16, 47, 48 and 80.