104 bars, 5:54, at 70 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, floor tom and kick and nothing else.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bar 1, hi-hat through bars 2-33, silence through bars 34-37, hi-hat through bars 38-53, snare through bars 54-61 and hi-hat through bars 62-87, and 1 more change after that.
The beat the song is built on is one bar, played through bars 18-24, 26-32 and 38, and 9 more places -- 36.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1...........2...........3...........4...........
CC |x-----------------------------------------------|
HH |------o-----o-----o-----o-----o-----o-----o-----|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----x-----------------|6 fills to learn, played 8 times: bars 37, 39, 47, 57, 71, 85 and 2 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
104 bars, about 5:54 at the written tempo. The course breaks it into 29 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 8 times: bars 37, 39, 47, 57, 71, 85 and 2 more.