69 bars of 4/4 at 131 BPM, about 2:06 of playing, on crash, snare, high tom, mid tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, snare through bars 5-29, silence through bars 30-36 and snare through bars 37-69.
The beat the song is built on is one bar, played through bars 8, 12 and 16, and 6 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--x-----x-----x-|
BD |x---x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
69 bars, about 2:06 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 22 minutes each.
crash, snare, high tom, mid tom and kick. Nothing in the part asks for anything else.