158 bars of 4/4 at 120 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, high tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, kick and crashes through bars 9-15, snare through bars 16-44, ride through bars 45-60, snare through bars 61-63 and hi-hat through bars 64-65, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 45-51, 53-59 and 81-87, and 4 more places -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
45
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |----x---x---x---|
SD |----x-------x---|
BD |x-------x-------|7 fills to learn, played 12 times: bars 44, 52, 72, 80, 88, 98 and 6 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
158 bars, about 5:16 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 44, 52, 72, 80, 88, 98 and 6 more.