79 bars of 4/4 at 125 BPM, about 2:32 of playing, on crash, hi-hat, snare, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bar 1, silence through bars 2-4, hi-hat through bars 5-12, snare through bars 13-15, hi-hat through bars 16-55 and snare through bars 56-62, and 1 more change after that.
The beat the song is built on is one bar, played through bars 14-21, 23-29 and 36-45, and 2 more places -- 37.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-------|7 fills to learn, played 14 times: bars 8, 12, 13, 22, 30, 34 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
79 bars, about 2:32 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
7 fills to learn, played 14 times: bars 8, 12, 13, 22, 30, 34 and 8 more.