272 bars of 4/4 at 149 BPM, about 6:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-77, silence through bars 78-108, hi-hat through bars 109-146, toms through bars 147-156 and snare through bars 157-272.
The beat the song is built on is one bar, played through bars 128, 130 and 134, and 30 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
128
1...........2...........3...........
CC |x-----------x-----------x-----------|
SD |x-----------------------x-----------|
BD |------x-----------x-----------------|14 fills to learn, played 22 times: bars 52, 56, 59, 60, 72, 75 and 16 more.
It cuts the song into 72 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
149 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
272 bars, about 6:23 at the written tempo. The course breaks it into 72 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 52, 56, 59, 60, 72, 75 and 16 more.