78 bars of 4/4 at 120 BPM, about 2:36 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-78.
The beat the song is built on is one bar, played through bars 18-24, 38-44 and 54-60, and 3 more places -- 40.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x--x----x--x|
BD |x-x-----x-x-----|
HF |-x-x-x-x-x-x-x-x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 10 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
78 bars, about 2:36 at the written tempo. The course breaks it into 10 exercises over 5 sittings, about 19 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.