62 bars of 4/4 at a walking 104 BPM, 2:23 of playing, on crash, hi-hat, snare and kick.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-36, silence through bars 37-45 and hi-hat through bars 46-62.
The beat the song is built on is one bar, played through bars 9-13, 17 and 29-36 -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
62 bars, about 2:23 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.