191 bars of 4/4 at a walking 98 BPM, 7:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-10, ride through bars 11-35, silence through bars 36-39, hi-hat through bars 40-105, snare through bars 106-114 and ride through bars 115-120, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 52, 54 and 56-58, and 18 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
76
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-x-----x-x-|19 fills to learn, played 32 times: bars 20, 22, 24, 26, 32, 34 and 26 more.
It cuts the song into 60 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
191 bars, about 7:50 at the written tempo. The course breaks it into 60 exercises over 13 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 32 times: bars 20, 22, 24, 26, 32, 34 and 26 more.