177 bars at 200 BPM -- fast, and 3:31 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on how many notes a second it asks for.
toms through bars 1-2, snare through bars 3-6, toms through bars 7-8, hi-hat through bars 9-16, ride through bars 17-31 and toms through bars 32-34, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 9-15, 59-61 and 63-66, and 2 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x-x-x-x-x-x-x-x-|22 fills to learn, played 33 times: bars 1, 8, 16, 20, 24, 28 and 27 more.
It cuts the song into 71 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 47 out of 100; the rest of the number is everything around it.
177 bars, about 3:31 at the written tempo. The course breaks it into 71 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 33 times: bars 1, 8, 16, 20, 24, 28 and 27 more.