278 bars at 198 BPM -- fast, and 5:37 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-11, hi-hat through bars 12-67, snare through bars 68-70, silence through bars 71-73, hi-hat through bars 74-104 and snare through bars 105-112, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 12-26, 28-30 and 48-50, and 6 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|20 fills to learn, played 50 times: bars 10, 11, 27, 31, 35, 47 and 44 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
278 bars, about 5:37 at the written tempo. The course breaks it into 73 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 50 times: bars 10, 11, 27, 31, 35, 47 and 44 more.