108 bars of 4/4 at 150 BPM, about 2:53 of playing, on crash, hi-hat, snare and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-73, silence through bars 74-77 and hi-hat through bars 78-108.
The beat the song is built on is one bar, played through bars 8-10, 12 and 14, and 28 more places -- 68% of every bar the kit plays. Learn that one and the song is very nearly finished.
8
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |------------x--x|
BD |x--x--x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
108 bars, about 2:53 at the written tempo. The course breaks it into 5 exercises over 3 sittings, about 19 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.