128 bars of 4/4 at a walking 82 BPM, 6:15 of playing, on ride, snare, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1 and ride through bars 2-128.
The beat the song is built on is one bar, played through bars 4-6, 10-24 and 28-33, and 10 more places -- 56.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
4
1.....2.....3.....4.....
RD |x--x--x--x--x--x--x--x--|
SD |------x-----------x-----|
BD |x-----------x-----------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
82 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
128 bars, about 6:15 at the written tempo. The course breaks it into 16 exercises over 6 sittings, about 27 minutes each.
ride, snare, kick and hi-hat foot. Nothing in the part asks for anything else.