144 bars at 190 BPM -- fast, and 3:02 of it without a break -- on ride, hi-hat, snare and kick.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-64, silence through bars 65-79, hi-hat through bars 80-96, silence through bars 97-111 and hi-hat through bars 112-144.
The beat the song is built on is a 2-bar phrase, played through bars 17-64, 81-96 and 113-144 -- 83.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
17 18
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |g---g-g---g---g-|--g---g-----g---|
BD |x-----x-x-------|x-----x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
144 bars, about 3:02 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 19 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.