216 bars of 4/4 at a walking 86 BPM, 10:03 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, ride through bars 5-96, silence through bars 97-119, hi-hat through bars 120-151, ride through bars 152-213 and snare through bars 214-216.
The beat the song is built on is one bar, played through bars 5-10, 13-34 and 36, and 14 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
36
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |----x---x---x---|
SD |x---------------|4 fills to learn, played 12 times: bars 137, 139, 143, 145, 147, 149 and 6 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
216 bars, about 10:03 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 137, 139, 143, 145, 147, 149 and 6 more.