123 bars of 4/4 at 152 BPM, about 3:14 of playing, on crash, hi-hat, snare and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-16, snare through bars 17-24, hi-hat through bars 25-32, snare through bars 33-40 and hi-hat through bars 41-76, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 8-17, 19 and 21, and 10 more places -- 68.6% of every bar the kit plays. Learn that one and the song is very nearly finished.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |o---o---o---o---|o---o---o---o---|
SD |----x-------x---|----x-------x---|
BD |x-------x-x-----|x-x---x---x-----|1 fill to learn, played 2 times: bars 4 and 6.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
123 bars, about 3:14 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 4 and 6.