244 bars of 3/4 -- not four -- at 180 BPM, 4:35 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-97, silence through bars 98-105, hi-hat through bars 106-111, snare through bars 112-114, silence through bars 115-119 and toms through bars 120-134, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 6 more places -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1e+a2e+a3e+a
T2 |x-----x-----|
FT |x-x-x-x-x-x-|
BD |x-----x-----|11 fills to learn, played 28 times: bars 31, 32, 46, 47, 48, 49 and 22 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
244 bars, about 4:35 at the written tempo. The course breaks it into 74 exercises over 17 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 28 times: bars 31, 32, 46, 47, 48, 49 and 22 more.