126 bars of 4/4 at 116 BPM, about 4:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 1-5, silence through bars 6-11, hi-hat through bars 12-66, toms through bars 67-70, hi-hat through bars 71-93 and silence through bars 94-99, and 1 more change after that.
The beat the song is built on is one bar, played through bars 13, 15 and 17, and 11 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
72
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|10 fills to learn, played 23 times: bars 2, 4, 23, 24, 60, 63 and 17 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
126 bars, about 4:21 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 2, 4, 23, 24, 60, 63 and 17 more.