121 bars of 4/4 at a walking 100 BPM, 4:50 of playing, on crash, hi-hat, snare, high tom and kick.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-121.
The beat the song is built on is one bar, played through bars 25-31, 33-41 and 43-44, and 6 more places -- 53.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |----x-------x---|
BD |x------x--x-----|3 fills to learn, played 10 times: bars 32, 42, 45, 71, 81, 84 and 4 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
121 bars, about 4:50 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 10 times: bars 32, 42, 45, 71, 81, 84 and 4 more.