264 bars of 3/4 -- not four -- at 175 BPM, 4:34 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-4, ride through bars 5-8, hi-hat through bars 9-12, ride through bars 13-16, hi-hat through bars 17-20 and ride through bars 21-24, and 31 more changes after that.
The beat the song is built on is one bar, played through bars 9-12, 17-20 and 25-28, and 5 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a
HH |o---o---o---|
SD |-x-x-x-x-x-x|
BD |x-x-x-x-x-x-|7 fills to learn, played 21 times: bars 8, 16, 24, 32, 40, 48 and 15 more.
It cuts the song into 62 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
264 bars, about 4:34 at the written tempo. The course breaks it into 62 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 8, 16, 24, 32, 40, 48 and 15 more.