179 bars of 4/4 at 128 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-34, ride through bars 35-39, hi-hat through bars 40-49, ride through bars 50-54 and kick and crashes through bars 55-59, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 55-67, 69 and 149-154 -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
55
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
BD |x---------------|25 fills to learn, played 52 times: bars 20, 23, 24, 36, 40, 41 and 46 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 0 out of 100; the rest of the number is everything around it.
179 bars, about 5:36 at the written tempo. The course breaks it into 81 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 52 times: bars 20, 23, 24, 36, 40, 41 and 46 more.