116 bars of 4/4 at 135 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
69 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-5, hi-hat through bars 6-25, ride through bars 26-33, hi-hat through bars 34-57, ride through bars 58-65 and hi-hat through bars 66-80, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-24 and 34-40, and 13 more places -- 62.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
7
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |x-------x-------|
BD |xxxxxxxxxxxxxxxx|12 fills to learn, played 18 times: bars 5, 9, 25, 41, 49, 57 and 12 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 53 out of 100; the rest of the number is everything around it.
116 bars, about 3:26 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 5, 9, 25, 41, 49, 57 and 12 more.