149 bars of 4/4 at 134 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-20, snare through bars 21-52, ride through bars 53-56, hi-hat through bars 57-68, snare through bars 69-71 and hi-hat through bars 72-76, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 57-65, 101-113 and 117-127 -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
57 58
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |----------------|--------x-------|
BD |x-----x---------|--x-x-----------|12 fills to learn, played 22 times: bars 48, 52, 68, 70, 76, 80 and 16 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
149 bars, about 4:27 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 48, 52, 68, 70, 76, 80 and 16 more.