125 bars of 4/4 at 134 BPM, about 3:44 of playing, on hi-hat, snare and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-56, silence through bars 57-58, hi-hat through bars 59-99, silence through bars 100-101 and hi-hat through bars 102-125.
The beat the song is built on is one bar, played through bars 9-11, 13-19 and 21-35, and 4 more places -- 60.9% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-o-x-|
SD |----x----x--x---|
BD |x-xx--x-x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
125 bars, about 3:44 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.