307 bars of 4/4 at 120 BPM, about 10:12 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-7, hi-hat through bars 8-12, snare through bars 13-17, hi-hat through bars 18-34 and snare through bars 35-40, and 32 more changes after that.
The beat the song is built on is one bar, played through bars 238-241, 246-251 and 260-262, and 6 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
238
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|16 fills to learn, played 29 times: bars 12, 35, 36, 40, 114, 152 and 23 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
307 bars, about 10:12 at the written tempo. The course breaks it into 75 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 12, 35, 36, 40, 114, 152 and 23 more.