80 bars of 4/4 at a walking 106 BPM, 3:01 of playing, on crash, snare, floor tom, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-22, snare through bars 23-31, kick and crashes through bars 32-46, snare through bars 47-67, kick and crashes through bars 68-71 and snare through bars 72-76, and 1 more change after that.
The beat the song is built on is one bar, played through bars 23-25, 27-29 and 31, and 6 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
24
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|1 fill to learn, played 1 time: bar 60.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
80 bars, about 3:01 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 26 minutes each.
crash, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 60.